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Saturday, January 17, 2015

My Whisky Year 2014

Another year has ended and I thought I would summarize my whisky year as it was. This year I probably didn't try as many new whiskies as last year, nor did I really try any really rare and old bottlings. This year my goal was to take a new path in my whisky journey rather than continue trying to sample as many whiskies as possible (this blog was one of such attempts to focus on more than just the whisky). That said, I did try a few memorable ones. Probably the best bottle I opened this year was the SMWS 26.89 (reviews here). After multiple re-visits, I found new complexities but also some flaws; all and all, a very pleasant dram and my original rating stands. This was also the dram that made me (re)discover Clynelish, a distillery I’ve found to rarely disappoint this year, and it is probably the distillery I am currently most excited about.

The bottle I keep returning to for those rare moments I want something extra has been the Convalmore 28 year old, part of Diageo’s special release in 2005: austere, hint of peat, complex and what I associate with “old school.” Maybe I’ll cave one day and fork up the dough necessary to buy the 2013 release of the same 1977 vintage.

And a final standout dram had this year was a Scott's Selection North of Scotland single grain distilled in 1964 (exact details missing). Further proof that old grain can be amazing.

This was also the year I started to appreciate blended scotch in a different way. The craft of blending fascinates me and I have an increased respect and admiration for the master blenders’ work. One of the blends that won me over was Buchanan's 18yo. This is a whisky that conjures up the super stereotypical image of an old man enjoying a whisky sitting in a large leather chair in front of the fire in a gentlemen's club in Victorian London. It's bold, spicy, woody and stuffy, but all in a good way. I also found that I appreciate Johnnie Walker more than I previously thought. Even my least favorite, Platinum Edition, has started to win me over. The blended scotch highlight of the year was getting to try the latest Johnnie Walker Director's blend at a tasting hosted by Ewan Morgan and Nic Morgan.

This year's journey was also more about moving outside the comfort of scotch. I tried great whiskies from around the world. For financial reasons and for my own sanity, I quickly realized that I would have to limit my personal library to scotch for now though. However, I was surprised over and over again by the value for money the classic brands from the old Kentucky distilleries offered, such as Weller, Buffalo Trace, Evan Williams, etc. There are of course also many good craft distillers out there as well. I tried Stranahan and Westland for the first time, and I think they are doing good stuff. I especially liked Westland Peated American Single Malt Whiskey and am looking forward to pick up a bottle as soon as I can find one.

This year I read more books on whisky and spirit than any other year. There were many good ones. I really liked Lew Bryson's “Tasting Whiskey.” In addition to being well-written and packed with information, it really got me interested in different styles of whisky and really woke my curiosity for Canadian whisky. Dave Broom's "Whisky: The Manual" (reviewed here) is another book that also changed how I think about whisky drinking in general.

I only got to host one whisky tasting this year with my regular group of friends that are whisky aficionados; but in addition, I also got the chance to host a tasting for their wives and girlfriends as well. This group of ladies was tasked with bringing a Scotch Single Malt of their choice, and they all brought really good ones. The favorite for the night in the group turned out to be Springbank 10 year old.  

For my personal whisky journey, the highlight of the year was when I got a chance to host a tasting for a larger group. I hosted two tasting sessions completely by my design and choice of whiskies for a group of 30 people of ranging experience, but mostly beginners. It was challenging but a lot of fun (detailed blog post coming up).

Sharing whisky with friends, new or old, is the best way to enjoy whisky. Best whisky I gifted to a friend this year was, in my opinion, an Abraham Bowman Bourbon finished in port cask. I had the opportunity to sample this bourbon at WhiskyFest 2012 when it was presented by, at the time, master distiller Truman Cox; since then, he has sadly passed away. It was an amazing bourbon and I hope the recipient found it to be as well. A recent gift from Santa was Nikka Coffey grain. I tried this earlier in the year and loved it.

In what has almost become a tradition, I enjoyed a dram of Lochside 46 year old Single Blend on Christmas Eve. Unexpectedly, that turned out to be the last dram of 2014 for me. You could do worse.

I think what I learned this year is that whisky is not only about the drink; there is so much more - the history, craft, tradition, community and friends.

Thursday, October 2, 2014

Three key malts

Since my normal rate of tasting new whiskys has ground to a halt in the last months, partially due to a long lasting cold followed by some busy summer month traveling, I've decided to post some short tasting notes from an earlier set of bottle shares I did with some friends. The common theme of the three bottles shared was that they were alleged key malt components in Johnnie Walker Blends. The theme was mostly an afterthought and it was really just an excuse to sample some of the, at the time, available exclusive bottles by the California based retailer: K&L Wines.
These notes are shorter than usual and rating them now adds some inaccuracy.


1991 Linkwood 21 Year Old K&L Exclusive Sovereign (key malt in JW Green label):

Nose: Robertson's marmalades ("Lime Curd" or "Silver Shred"), sweet lemonade and then a hint of honey and fruit compote. With water the malt comes through a bit more, either as biscuits or as shortbreads. 
Taste: White toast bread with Swedish honey. Adding water gives a hint of hard fruit candy. It is warming and ends with a medium long finish that ends with some slight pepperiness.
Comment: After you tame the alcohol (with water), it becomes an easy drinking dram with malt and honey.

Rating: 6.5±1

1996 Caol Ila 15 Year Old K&L Exclusive Sovereign (smoke component in several JW Blends):

Nose: Peat and Smoke, in the form of soot and ash, then the nose transitions more towards campfire (burning light wood such as birch). Very faint nose of rubber and some floral notes can be detected. With water, the distillery character comes through more, a sense of lightness amidst the smoke.
Taste: Initial hit of peat and smoke, but with a distinct sweetness that transitions more into smoke in the finish. Also tastes of ash and soot. Water tames the taste and the sweetness becomes more fruity (raspberries and strawberries).
Comment: Well balanced.

Rating: 7±1

1990 Mortlach 22 Year Old K&L Exclusive Chieftain's (key malt in JW Black label):

Nose: Raisins and some kind of solvent or glue. Chocolate-covered raisins and hint of vanilla custard. Then lots of spices: cinnamon, cloves and other Christmas spices (we are at the dessert table at a Swedish Christmas smörgåsbord). The nose is complex and it keeps changing. With water the whisky shows its age and I detect some of the wood (cedar, teak or some other dark hard wood).
Taste: Sweet, spicy, warming and mouth-coating. Like a well-aged Caribbean rum. With water it becomes rounder, and you taste more dried fruits; raisins and prunes. The finish is long, spicy and drying.
Comment: Very complex and definitely needs its time in the glass.

Rating: 8±1


None of the three bottles are, unfortunately, available any longer. If the chance would happen that I would one day stumble upon a bottle of the Mortlach, I would not hesitate to buy it, assuming the price was within reason. It was the clear favorite among the people sharing the bottles. The Linkwood, in my opinion, was highly underrated among the other tasters. I found it to be solid and the type of dram that might have grown on me, had I had a full bottle to enjoy over time.

Thursday, June 26, 2014

Whisky Grapevine

Thought it would be fun to round up some monthly observations from the public TTB label-approval registry (Alcohol and Tobacco Tax and Trade Bureau in the US). This is a public registry that shows label approvals for spirits to be sold in the USA. An approval is no guarantee that it will eventually be sold in the US and sometimes labels change or are missing final information such as age and cask no. However, sometimes you get a glimpse of what's to come several months ahead of release date.


June offers several interesting labels, not least of which is William Grant & Sons, including an official 40-year-old release from the closed Ladyburn Distillery. The 40% ABV might disappoint some though. Kininvie 23-year-old Batch 002 looks destined for the US as expected. Batch 001 was a Taiwan-exclusive but found its way to European auction sites quickly. It remains to be seen if Europe will be left out again and has to wait for it to hit the secondhand market. A 25-year-old single barrel Balvenie and the 26-year-old Glenfiddich Excellence are among other approved labels from William Grant & Sons.


A whole slew of independent bottle releases from Berry Bros. & Rudd has been approved. Fun to see more independents on the US shelves. Among the more interesting ones:; a Littlemill from 1992, a 1995 Caperdonich and a 1974 Glenlivet.


Looks like Scotch Malt Whisky Society (SMWS) has gotten approval for a single malt from Ireland (most likely distillery number 117). If the society is allowed to import Irish releases, why not Japanese? Since there seems to be some issues with whisky produced in one country and bottled in another.


Official distillery bottles from the rarely seen Speyside Distillery (the distillery with the same name as the region) seem to be on their way.


Those were just a handful of the bottle labels approved this past month that caught my eye.

Monday, June 16, 2014

Whisky Reading

A bad cold put my whisky reviewing into a grinding halt for the last month or so, but it did at least give me an opportunity to catch up on some reading. I’ve recently read three whisky-related books that I can recommend.
I was very excited to grab a copy of The Science and Commerce of Whisky by Ian Buxton and Paul S. Hughes [1]. Coffee table-style books about whisky are plentiful but more technical books or textbooks aimed at people that actually study chemistry and distilling are rare. Although I lack the background to really grasp the chemical aspects of distilling and maturation of whisky, I found that the book still offered a wealth of information for a layman and enthusiast like me. Each chapter is jam-packed with information but still well-written. Compared to the previous reference text on whisky making, Whisky: Technology, Production and Marketing edited by Inge Russell [2], I find Buxton and Hugh’s book more approachable and easier to read. After reading this, I was tempted enough to pick up a textbook on organic chemistry, just to get a better understanding of the more technical chapters of the book.

Dave Broom’s new book I pre-ordered without knowing anything about it. I’ve found Mr. Broom very entertaining at other occasions and with a title such as The Manual” [3], what could go wrong? To my surprise when I got a hold of the book, Mr. Broom has decided to educate us on how to drink whisky mixed with soda, ginger ale, and even coconut water and green tea. Just the thought of diluting your precious single malt with something other than water makes some whisky drinkers see red. Not discouraged, I dove right in and found Broom’s book to be very entertaining. It starts out with the almost obligatory whisky history chapter. Very informative as expected but also with a focus on how whisky has been enjoyed throughout history. What then follows is Mr. Broom’s guide on how to enjoy whisky. A multitude of whisk(e)ys are presented with a description and rating on what the whisk(e)y mixes well with. I must say I’m instantly intrigued and can not wait to try out some of the recommendations. The book ends with a chapter on cocktails.


The last book I finished was MacLean’s Miscellany of Whisky by Charles MacLean [4]. It’s a collection of essays on anything between heaven and earth related to whisky. This is a nice book to read while enjoying your favorite dram in front of your fireplace. Informative but most of all entertaining. The essays vary in length but most of them are pretty short, which makes it easy to pick up this book and just read a chapter at random when time allows. It also contains many illustrations from the era.


[1] Ian Buxton and Paul Hughes, The Science and Commerce of Whisky, ISBN: 978-1-84973-150-8, Royal Society of Chemistry (2014)
[2] Inge Russell et al, Whisky: Technology, Production and Marketing (Handbook of alcoholic beverages), ISBN: 978-0-12669-202-0, Academic Press; 1 edition (August 28, 2003)
[3] Dave Broom, Whisky: The Manual, ISBN: 978-1-84533-755-1, Mitchell Beazley (Octopus books) (2014)
[4] Charles MacLean, MacLean’s Miscellany of Whisky, ISBN 978-1-906251-42-0, Little Books Ltd (2010)






Friday, April 25, 2014

Clynelish vs Johnnie Walker Gold Label

The Striding Cat
Clynelish, a Highland distillery I've heard a lot of good things about, and I've read a lot of good reviews for - both for their own bottlings, as well as independent bottlings. It's also often mentioned as well-regarded among blenders as well, e.g. Compass Box bases several of their blended malts around Clynelish. My own experience with the distillery has unfortunately been limited, so it's finally time to educate myself.


I decided to start with the official 14-year-old release (46% abv) and I will compare it to Johnnie Walker Gold Label Reserve (40% abv), the Johnnie Walker known to be built around a core of Clynelish.


First up, the single malt. I find the nose a nice balancing act between a potpourri of fruits (black currants, oranges and green apples) and right amount of wood (oak and sawdust). There is a very pleasant trail of peat smoke in the background and it's slightly spirituous. Some of the sweetness reminds me of honey, like honey soap or honey candles. With water, the nose mellows a bit. The spirituous part becomes more briny and maritime. To the taste it's more woody than fruity. The black currants have taken a back seat. Other berries have been baked into a pie. With water it becomes too easy to drink. The finish is dry and medium-long.


Compared to the single malt, the Johnnie Walker is more spirituous and medicinal on the nose, almost phenolic, albeit still very light smokiness. Hint of glue stick, but also some berries. A mix of tart lingonberries and ripe bananas. With water the smoke takes you to an outdoor clam bake. To be honest, I would have a hard time picking this out as a blend among single malts. It has a slightly more spirituous, solvent, glue-type character that I find in other blends, but it is very well-balanced here. On the tongue it is very smooth and the wood character comes out more. Maybe some of that famous Clynelish waxiness is also present. Water helps malt and cereal notes come forward but does not necessarily improve it.


You can definitely tell that Johnnie Walker Gold is in the same family and a good guess is that it’s been derived from a fair amount of Clynelish. I like both a lot and Gold might almost bump Green from the top spot of my favorite Johnnie Walker. I would venture to say I prefer the Gold over the official Clynelish, at least as a every(other)day sipping dram.


Sssh, don't let the cat out of the bag!
As a bonus, I decided to throw in another Clynelish in the mix. A single cask bottling from the nice folks at Scotch Malt Whisky Society: No. 26.89 'An exotic tearoom experience' (27 years old, ex-sherry refill butt, 56.6% abv). For you that don’t know, Scotch Malt Whisky Society (SMWS) is an independent bottler and membership club that bottles a wide range of single casks for its members. They for some reason or another deliberately don't reveal the distillery on the label but give it a unique number instead. They also give their bottles quirky names with sometimes even quirkier tasting notes. With the power of Google, we can figure out that No.26.89 was actually distilled at Clynelish.


First impression of the nose is "Wow!", this is why I love whisky. Fine sherry, berry compote with peaches, light peatiness, honey and a sweetness that reminds me of blueberry pie served with Sauce Marsán (Instant Vanilla Cream). Followed by strawberry shortcake ice cream, but also Crayola crayons (Is this the Clynelish waxiness everyone refers to?). It is prickly on the tongue, light with a nice mouthfeel. A light pleasant smokiness and you can taste spices in the back. With water, the vanilla becomes stronger on the nose. It also tames the palette and makes it easier to drink. The finish is long and lingering with spices reminiscent of Swedish ginger snaps.


An excellent foray into the world of Clynelish. I've already ordered more samples of this fine distillery.


Clynelish 14 year old: 7±.5, Johnnie Walker Gold Label Reserve: 7±.5 and SMWS 26.89: 8.5±.5.

Monday, April 14, 2014

Scallywag vs 3D

Here we go, the first reviews for the blog. I recently ordered a set of samples from the good chaps at Master of Malt. The first two samples I tried are two very different blended malts in a nice price range.


I decided to pit these malts against each other solely based on the fact that they are both blended malts.


First up is the Scallawag (46% ABV), a blended malt from Douglas Laing. Specifically what caught my eye, with this malt, was the packaging. I am a sucker for nice labels. Don’t get me wrong, I don't care much for overpriced crystal decanted whiskies in leather suitcases with purple velvet interior. A well-designed label or a smart package, however, often catches my eye.


But let’s move on the the whisky:
- Oh! First thing that come to my mind when I nose this is: ex-Sherry Glenrothes. Had I nosed this blind, not knowing it’s a blended malt, I would definitely have guessed Glenrothes. I have not tried many Glenrothes but this whisky share a distinct smell that I for some reason associate with a smell I can best describe as a “new car smell," a combination of leather, vinyl and rubber. I've found this smell in several of the few Glenrothes I tried in the past and to be honest something I've often found a bit to overwhelming, but in this case it is more subdued. The nose is also buttery, it transitions from a more solvently (paint thinner) to a more sweeter smell. Sweet hard candy. With water I find the more familiar sherry notes; dried fruits and some nuts. A hint of spices as well, maybe nutmeg.


Taste is initially peppery but quickly turns into dark (bitter) chocolate and tea leaves (Dolphin’s Earl Grey Chocolate bars),  still some hint of spices, anise and licorice. water brings on the dried fruits; prunes and cranberries.


I find Scallaywag to be very pleasant to drink, the taste appeals to me more than the nose though.
Second up is 3D (56,4% ABV), from the guys at Cask Strength and Carry On, apparently a blend of three Ds; Dailuaine, Dalwhinnie and Dufftown. Three distilleries that I associate with a bit more funky, complex whisky that need a few years to mellow out. The nose is not at all what I expect; it’s light and ethereal; citrus fruits mixed with vanilla (sponge cake) and oak. A hint of honey and nuts, but also green grass. With water more fruits; citrus and apples. It also reminds me of “Piggelin” a pear flavored ice popsicle of my youth. On the tongue - it’s sweet, the fruits have been caramelized. Lime cordial also comes to my mind. The grass makes a comeback with the water added. It finally ends with a dry finish.


My first impression was: This is a solid, easy to like style of whisky. After letting all the impressions sink in, I feel that this is a whisky that I would enjoy at almost any occasion, it’s kind of a crowd-pleaser. Well-balanced, bright light flavours and a nice kick, being cask strength.


On this tasting occasion I felt that the 3D came out on top, albeit two very different blends, one sherry cask heavy, the other, what seems to be mostly ex-bourbon cask.

Scallywag: 6±.5 and 3D: 6.5±.5

Sunday, April 13, 2014

Rant on Rank

When I decided to start this blog, I thought a bit about ranking verses rating. Are we actually rating whisky or just ranking whisky among the ones we have tried ourself? And what is the difference? I think of rating as assessing the whisky individually and score it based on its individual merits. Rank a whisky would be to access it in contrast to other whiskies. A ranking can of course be expressed as a number as well? So then you might still say, what is the difference in the end? Can I not just rank the whiskies I tried based on their rating? Yes, you can, but...
I like to draw analogies to sport rankings. If you have two teams; A ranked 1 and B ranked 2, does that mean that  A always beats B? No. Let say you have 3 teams: A,B and C and A beat B, B beat C and C beat A in a round-robin match up. How would you rank the teams? The same questions can be applied to whiskies to some extent. Rating seems to absolute to me. One day I might enjoy Whisky A over Whisky B, the other day the opposite. Sometimes I find whiskies offer different qualities and can’t always imply that since A > B and B > C then A > C. As in sports, ranking changes over time and there are many ways to compute and express ranking, most of them overkill if applied to whisky (and for a blog like this). But I still like the Idea of giving whisky a non absolute rating, that can be updated over time, theoretically, to get the exact ranking, I would have to, every time I try a new whisky, retry all other whiskies I’ve tried before and re-assess their score against the new whisky. Of course practically impossible.
So initially I will try grade my whiskies on a scale from 0-10, with a twist, I will see it as a normal distributed probabilistic score, expressed as r±s , i.e a score that with (my) 95% confidence falls within 2 standard deviations (s) of r.

E.g. Let's say first time I grade a whisky I give it 5±.5 (meaning, with 95% confidence my subjective score falls between 4 and 6), the score could naturally become more uncertain over time, expressed as a larger deviation e.g. 5±1. But If I re-taste the whisky at a later occasion, I can re-asses the score, and hopefully reduce the deviation (the opposite can also happen).
Will I compute it exactly and update it every time I try a new whisky? No of course not…